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[personal profile] ysabetwordsmith
... is now fully funded!  \o/  Back it to get resources for making your own little corner of cyberspace.

The Fujoshi Guide to Web Development
Help us put the means of website production back into the hands of those best suited to receive them: fandom people.

$10,079 pledged of $10,000 goal
226 backers
12 days to go

Ever since I first spotted this thing, I have been linking to it every time someone complains about a platform. Build your own platform, website, or other cyberspace resource!
ysabetwordsmith: Cartoon of me in Wordsmith persona (Default)
[personal profile] ysabetwordsmith
[personal profile] elf boosted the signal for a friend's project, The Fujoshi Guide to Web Development. "Help us put the means of website production back into the hands of those best suited to receive them: fandom people."

"Learn web development from hot anime guys in a dating sim. Well, not actually a dating sim. But it looks like a dating sim."

Here is a sample of the GIT Zine. (Do not read with mouth full.) This looks like a great guide for visual thinkers, even in its early, sketchy stage. It is even legible for me, and I don't code. Also, decorating an instruction manual with hawt catboys will definitely make fans look at it.

I am delighted to see someone doing concrete things to encourage more folks to create websites and services, as alternatives to the current ones that mostly suck. Take back the web!

Also, promoting this project may help us get things that we want.  The more people know how to make websites, the more likely it becomes that someone will create a crowdfunding hub site that hosts all types of projects, rather than just being a storefront or just hosting one type.  Several times, we've talked here about how to set up such a thing, and the leading reason it's never gone farther than talk is that nobody interested in it knows how to build the kind of website  for it.
ysabetwordsmith: Cartoon of me in Wordsmith persona (Default)
[personal profile] ysabetwordsmith
[personal profile] magibrain has a bingo card generator for creative inspiration.  You can use this to make customized cards using your favorite motifs, which you can play in [community profile] allbingo if you wish.  The menu offers a whole bunch of premade prompt lists for plot, characterization, setting, etc. and there are also lists for non-writing things like music and art.  (Some of these are ones that I made, which have been uploaded for everyone to enjoy.)  Click the list(s) you want and the prompts appear in a box so you can edit them.  You can also put in your own lists from scratch.  The generator then produces a card complete with image and code.

This project now has a donate button at the bottom of the page.  If you find the tool useful, please consider tipping the codewriter.  

I think that the bingo card generator is a terrific addition to the "Other Project" category of crowdfunding.  It's also one of several things I've seen recently that come from people writing code for fun to produce things helpful to other creative folks.  This is a trend I'd like to see flourishing.  Crowdfunding and crowdsourcing are already influences in the programming field.  If we encourage this by promoting, using, and sponsoring the projects then we'll have a higher chance  of getting more goodies.
[identity profile] ysabetwordsmith.livejournal.com
Dreamwidth user Magibrain has a bingo card generator for creative inspiration. You can use this to make customized cards using your favorite motifs, which you can play in the Dreamwidth community Allbingo if you wish. The menu offers a whole bunch of premade prompt lists for plot, characterization, setting, etc. and there are also lists for non-writing things like music and art. (Some of these are ones that I made, which have been uploaded for everyone to enjoy.) Click the list(s) you want and the prompts appear in a box so you can edit them. You can also put in your own lists from scratch. The generator then produces a card complete with image and code.

This project now has a donate button at the bottom of the page. If you find the tool useful, please consider tipping the codewriter.

I think that the bingo card generator is a terrific addition to the "Other Project" category of crowdfunding. It's also one of several things I've seen recently that come from people writing code for fun to produce things helpful to other creative folks. This is a trend I'd like to see flourishing. Crowdfunding and crowdsourcing are already influences in the programming field. If we encourage this by promoting, using, and sponsoring the projects then we'll have a higher chance of getting more goodies.
ysabetwordsmith: Cartoon of me in Wordsmith persona (Default)
[personal profile] ysabetwordsmith
Goal-Fish is a new site offering a customizable to-do list by [personal profile] shoaling_souls. It has categories, such as chores and fun, with constraints (day/night, indoor/outdoor, current pain level, cost of supplies, etc.) for available tasks. Once you ask it for a task, it presents a simple description, and you can open detailed instructions if you wish. Learn more here.

The site is optimized for people with assorted physical or mental limitations, so it has a high accessibility rating, but anyone can use it. If you have trouble with choice-paralysis or time management, Goal-Fish looks like a more effective solution than some of the simple to-do prompters already extant. So if you have friends with those kinds of challenges, pass the word.

This is a crowdfunded project. Your donations keep the site going. It's a distraction-free zone with no ads, so donations are the only income. Anyone can use the site free, and access the generic features without an account. Registering is free and lets you add some of your own categories and tasks.  So for instance you could make art or writing tasks.  Donations allow you to add even more categories and tasks.
[identity profile] ysabetwordsmith.livejournal.com
Goal-Fish is a new site offering a customizable to-do list by [personal profile] shoaling_souls. It has categories, such as chores and fun, with constraints (day/night, indoor/outdoor, current pain level, cost of supplies, etc.) for available tasks. Once you ask it for a task, it presents a simple description, and you can open detailed instructions if you wish. Learn more here.

The site is optimized for people with assorted physical or mental limitations, so it has a high accessibility rating, but anyone can use it. If you have trouble with choice-paralysis or time management, Goal-Fish looks like a more effective solution than some of the simple to-do prompters already extant. So if you have friends with those kinds of challenges, pass the word.

This is a crowdfunded project. Your donations keep the site going. It's a distraction-free zone with no ads, so donations are the only income. Anyone can use the site free, and access the generic features without an account. Registering is free and lets you add some of your own categories and tasks, so for instance, you could set up art or writing tasks. Donations allow you to add even more categories and tasks.
[identity profile] shadows-gallery.livejournal.com
After a hectic summer working in the breathtakingly beautiful California wilderness, living with no reliable internet, and then a lengthy hospital stay and major surgery, I have finally been getting myself back into the game artistically.  I have yet to dip back into the crowdfunding, though, and I'm afraid it has more to do with a lack of confidence than a lack of desire or need.  

I desperately need to raise prices, because I need the money--especially after the insane number of medical bills I have incurred and am still incurring--but I'm afraid I'm going to shoot myself in the foot by doing so.  I have tentative plans.  For one, I'm considering hosting weekly $5 Sketch Days, rather than Free Sketch Days as I've done previously, but taking the first five prompts for free.

 
Detailed black and white drawings will ordinarily go for $50 and up, depending on complexity, and Discounted Character Portrait Days will be re-instated on a periodic basis at $30 per portrait.  I'll also offer story illustration, both black and white and color, for $50 and up.
I have to remind myself that even these prices are very low for a professional, but I still have this nagging voice in the back of my head that tells me my work isn't good enough to charge that much, that no one will want to pay that much.  It's a voice that I'm determined to ignore.  

I hope to be delving back into the crowdfunding sometime this coming week.  I may test the waters with a $5 Sketch Day.



Does anyone have any suggestions on how to ease back into this after being away for so long?  Any suggestions for how to raise prices gracefully to a more financially sustainable amount?
ysabetwordsmith: Cartoon of me in Wordsmith persona (Default)
[personal profile] ysabetwordsmith
An aspect of crowdfunding has been suggested as a way to draw revenue for Dreamwidth, which would also reward bloggers for producing popular content.  I would REALLY like to see this implemented.  Please go vote for this!
ysabetwordsmith: Cartoon of me in Wordsmith persona (Default)
[personal profile] ysabetwordsmith
Pirate Bay offers the Promo Bay, where you can get your free stuff promoted in several countries.  For those of you who feel that copyright has outlived its usefulness and that information should be free, here's a chance to put your products where your morals are.

I'll be keeping an eye out to see if any new hits, bestsellers, superstars, etc. emerge from this exercise in alternative distribution.
[identity profile] ysabetwordsmith.livejournal.com

Current library handling of ebooks is crummy.  Big publishers have arranged it so that the library can only lend the ebook to one person at a time, which cuts out a key advantage of ebooks over paper books.  The libraries all seem to use a thing called Overdrive, which does not accept ALL ebooks, so there's a bottleneck problem.  Some publishers limit the number of times an ebook can be checked out before the library has to repurchase it.  Readers are not thrilled by this, neither are some librarians, but Overdrive seems to have a monopoly for now.  I'd like to support brick-and-mortar libraries, but if that's not feasible, I'll settle for supporting reading.

Rather than attempt to scale the castle wall, it may be more efficient to get ebooks into people's hands by going in the back way and creating a virtual library.  Put together a collection of ebooks that people can read without those obnoxious restrictions, building the collection from books by individual authors and small presses who get shut out of more mainstream models.  For people who want to read ebooks, it would be an efficient way to find a substantial supply of them -- much of which might not be available through more conventional venues -- without having to hunt them down one book at a time.

One useful feature is "I want more of X."  Have drop-down menus for all the authors, publishers, and genres that the service already offers.  Then a box for listing things that aren't available yet, like "I want lesbian mystery and chromatic SF, but you don't have any."  Make the results visible to people who might like to add their books.  (A fun crowdfunding option might be to let people make donations to put a 'bounty' on a certain type of book they want added, which would go to whichever author/publisher contributed one.)

Now ideally -- and I'm not sure if this is technologically feasible at the moment -- the content would be visible to subscribers but couldn't readily be saved by them.  That's a 'cloud' kind of model, where a person is paying for access rather than ownership, and it's a good virtual version of a library where people read books but don't keep them.  It would be straightforward to do with the material visible only on a regular computer; doing that with ereaders might be harder, but would be very helpful in reaching people who love ebooks.  Something where people could download temporary ebooks that would disappear after a limited time would probably be harder to build.

There might also be a section of ebooks available for free download, from authors/publishers who feel that giving away a free sample can attract buyers.  Ideally, however, all the ebooks in the "lending library" would also be available for sale, in case readers want to keep a copy.

This would probably be more straightforward to launch than trying to break into library access.  It's not too hard to put things on password-protected pages of a website.  A couple dozen books or so -- preferably in several different popular genres and topics -- could be enough to get the ball rolling.  That's a size that could feasibly be gathered by a consortium of authors and/or small presses.  Then let it grow from there; hopefully adding at least one new book a week to keep subscribers interested. 

Hopefully the subscription price could be kept low, maybe $5/month or $50/year.  (The nearest library to me charges $60/year for a library card if you live outside the town limits, which pretty much means rural residents are humped.)  Consider splitting that with half the fees going to site upkeep and half getting divided among people who provided books.

I'm putting this out in the open because I think it's a viable idea, but I don't have the webcoding skills to just do it myself.  If someone else does, however, I'd be happy to help with concept development, and I do have a couple of books that were dual-published in ebook and paper formats.

[identity profile] shadows-gallery.livejournal.com
So, friends, I'm going to do a little brainstorming on here, and would love some input.

Last week saw some small success with my $5 Character Portrait Days, and it's definitely something I want to continue.  I also, though, want to offer digitally inked and colorized portraits and digitally painted portraits for half off-- which would be $20 for the former and $50 for the latter.  I know that may be a bit higher than some people can pay, but color portraits will also take longer to do, and I'll still be offering the grayscale portraits for $5 (normal price on detailed grayscale drawings is $20, so that's a significant price slash), so hopefully that'll prevent my workload from tipping the scales too much so I can get to everything, while still bringing in a small income from it all.  Believe me, with my family in the situation we're in right now, where we HAVE to work from home, every little bit helps.

My question to you guys is this:  Do you think it would be better to make $5/Discounted Character Portrait Days an everyday thing?  Or perhaps "open" for business on Monday and "close" for business on Friday?  Or just keep it as a two-day weekly sales event?  Which do you think would bring more traffic and commissions?  Advertising is my concern-- most communities on here that provide platforms for advertising would probably get fed up with too many announcements per week (I try to limit to one announcement per week for each event so I don't monopolize the communities I post to), but if it's open all the time or only on a weekly basis, the announcements will be buried under other posts, and people won't see them until the following week.  (In other words, the traffic may be about the same as if I only held a two-day event)  Are there any other thoughts for bringing more traffic to a blog?  I see people on my feed who practice crowdfunding and have friends lists of hundreds of people.  How did you do that?
[identity profile] aldersprig.livejournal.com
This was a good month for my Giraffe Call! I didn't beat October's record, but I came close, making $80 in tips and getting 2 new donors and several new prompters!

A summary of the stories so far is available here - http://aldersprig.livejournal.com/350666.html.

Since I have that again to write, the poll for the continuation will have to wait a bit. :-)

Thanks to everyone who prompted and donated!!
[identity profile] ysabetwordsmith.livejournal.com
Recently, [livejournal.com profile] flutterbychild asked what a landing page is and what should go on one.  The discussion turned up several other folks who have built landing pages inspired by mine for the Poetry Fishbowl, or at my recommendation.  I figured that this topic deserved a post of its own, so that more people can see it and talk about it.


What is a landing page?

A landing page is the go-to place for your project, the page where you want outside links to point.  For new viewers, it provides a comfortable starting point.  For regular fans, it's a reference for navigating through favorite material.  For people who might want to review your project or nominate it for an award, such as the Rose and Bay Award, it presents key information in a concise format.  This way people don't just get dumped into the middle of an ongoing project with no idea what it's about or where to begin.

Read more... )
[identity profile] ysabetwordsmith.livejournal.com
Practical Ecommerce posted this recent article showcasing 13 crowdfunding websites.  Some focus on creative projects, others on small businesses.  Fees, processes, and creator/sponsor tools vary.  Compare the sites and think about which would work best for your particular needs.
[identity profile] ysabetwordsmith.livejournal.com

After the 2011 award season, there was a discussion and a poll for ideas about where the Rose & Bay Awards should go next.  A total of 17 people participated in the poll.  Here are the results ...

Rose & Bay Awards voting polls will be non-transparent.  (10 people voted for this.)

A restriction will be added so that a project which wins one year is not eligible in the same category the next year.  After that, it is eligible again.  (13 people voted for a restriction.  12 voted for a one-year trigger.  10 voted for a one-year skip.)

Voting will be popular (with checkboxes) rather than singular (with radio buttons) so that voters can indicate all the projects they like within a given category.

A number of people expressed both interest in and support for a Crowdfunding Hub Site.  Based on the low end of what people said they might donate, that includes between $69 and $165.

Although several people suggested offering prizes, actual support for this was considerably lower.  Nobody volunteered as an overall prize organizer.  (Some did volunteer for contributing prizes, or helping with particular parts of prizes.)  So this proposal is tabled until more people are available to make it happen.  (Only 11 people even voted on this question.)

People slightly favored sponsoring the Crowdfunding Hub Site first, followed by the prizes.  (8 people voted for this version.)  So if both of those come together, we'll try to make that order work out.  A very close second (6 votes) went to just doing them in whatever order works, whether or not that creates an overlap.

[identity profile] ellenmillion.livejournal.com
What is Sketch Fest?

Sketch Fest involves artists from all over the world, working on a pool of prompts and ideas for up to - but no more than! - one hour an any given sketch. For 24 hours, we creatively jam, share our results with each other, and sell our work. Artists can work in any media, for any part of the 24 hours, on any of the prompts, and are welcome to sell or crowdfund their work themselves, or donate them to the Sketch Fest project to fund our website improvements.

A Little History... )

In short? It's been a wild first year, and we've come a long, long way.



Where are we going?

Where are we going for our second year? Already, the site got a bit of a brush up for Sketch Fest #12 - some of it was backend work improving the buying process (so pieces couldn't accidentally be bought more than once, as was starting to happen...), also, artists got a link directly to their claims, and there were some browsing improvements. A new landing page is under review, and a 'quick snag' method of claiming available artwork has been requested.

Other things I'd like to see include comment threading, and links on comments, more options for artists when uploading their work (including being able to flag ACEOs, and add keywords, and add a link to buy off-site), and a way to allow partial donations, where the artist can take a 'cut' of the donation - we're discussing that last feature in my journal here. I'd also like to discuss opening the project to other forms of art, such as writing (still bound by the one-hour limit!).

Spawning out of the partial funding discussion is some talk about a cross-platform credits feature I would very much like to develop across my network of sites. One of the bummers of micro-funding things is that so much gets lost in the transfer - the ones really making out are services like Paypal, who take a big cut from small payments. I would very much like to set it up so that people can sell their artwork done through Sketch Fest, get some percentage of the sale back in credits (up to 90%, they set their rate), and use those credits to tip writers and artists at EMG-Zine or Torn World, or the critics at Fantastic Portfolios, as well as have the option to buy things or cash out their credits.

I've worked on ambitious projects a lot over the years (a LOT *shakes cane*), and often find that I come out at the end with things that are close to what I had in mind, but won't pay off for years and years (if they ever do!). Sketch Fest is vastly different in that it was entirely front-funded - and has exceeded my vision. I was paid professional programming rates at every step of the way to create exactly what was needed and requested. The project itself makes me wildly happy because it's getting people to do art, and love doing it again. I've gotten a lot of feedback from people who rediscovered their muses through Sketch Fest, and that's the very best part of the project.

I welcome input, ideas, and suggestions! Come and play at Sketch Fest #13 (lucky 13!) on April 22-23, noon to noon Alaska time.

ETA: Also, I've got a poll up now looking at new features, timing and other bits and bobs: http://ellenmillion.livejournal.com/1178349.html
[identity profile] ysabetwordsmith.livejournal.com
I want to collect a list of places where writers can publish and/or promote weblit such as online serials, novels, etc.  Note that "weblit" (fiction plus poetry, essays, and other creative writing) is a broader term than "webfic" (short stories, novels, and other fiction only).


Hosts
These sites provide some kind of platform for posting and distributing content. They have an audience pool that consists of creators and readers, who look for weblit in a concise and consistent environment.

Digital Novelists
Sort of has a free option, but that doesn't include a listing on the DN site, so not much use.  There are two paid versions, one with ads and one without.  Original fiction with a focus on novels and serials.

FictionPress
Looks free, but the publically visible material seems aimed at readers far more than writers, so it's hard to judge what the upload process is like.  It also seems to discourage monetizing methods, specifically ruling out ads and subscriptions, though it doesn't mention donations.  Original fiction and poetry. 


Hubs
These sites do not provide content posting, but specialize in networking. Creators come to promote their work that appears elsewhere. Readers come to find material gathered from its many separate sources.

EpiGuide
Covers a very wide range of online entertainment including weblit, webcomics, games, and more.  Offers articles, forums, recaps and previews, and other goodies.

Novelr
Explores issues in reading, writing, and publishing fiction on the web.  Deep archive of articles on many aspects of webfic.

Web Fiction Guide
Lists free, original web fiction with a focus on novels and serials.  Does not accept fanfic or erotica.  Offers reviews, ratings, a forum, and other tools.  The related Top Web Fiction page is a running poll that shows the most popular items.

Weblit.Us
Focuses on marketing and promotion for online literature including short fiction, novels, serials, essays, memoirs, and more.  Forum, Twitter feed, resource page, and other tools.  Part of Digital Novelists network.


Social Networks, Blogs, and Other Stuff
These sites offer all different kinds of service.  Blogs can be used to publish and network weblit.  Social networks are mainly for promotion.

Blogger

Dreamwidth

Facebook

LiveJournal

Twitter Hashtags
#FridayFlash
#webfic
#weblit


Do you know of any other hosts, hubs, or networking sites that are useful for weblit and similar crowdfunding projects?
[identity profile] ysabetwordsmith.livejournal.com
When you decide to hunt for something new in cyberfunded creativity, how do you do that?  What do you search for?  Do you go hunting for one main criterion, or a set of several important criteria together?  If you use multiple approaches, which do you think you use the most often or consider the most important?

  • Do you look for a genre?  ("I want some new science fiction.  I don't care if it's long or short, text or webcomic.")

  • Do you look for a format?  ("I want to pick up a new web serial.  I don't care what genre or crowdfunding model it is.")

  • Do you look for a particular crowdfunding model?  ("I have some money to spend on a creative person whose work impresses me, whatever that is.  I'm going to browse some site that lists project pitches.")

  • Do you look for something by someone you know?  ("I want to support a friend.  I want to pick up a new project by someone I already know.  I don't care what it is.  Who's got something fresh?")

  • Do you look for reviews, ratings, recommendations?  Do you ask your friends what they are enjoying?  ("I don't know what I'm in the mood for.  Somebody point me to something great.")

  • Do you look for a big heap of projects that you can peruse until something grabs your interest?  ("I have an oyster knife, and I want a bucket of oysters so I can find me some pearls.  Give me some oysters and get out of my way!")


We're working on ideas for a crowdfunding hub site.  Hopefully it will include a lot of different ways for people to find what they want.  It occurred to me that, for designing a main menu, it might be helpful to have an idea of how people typically look for new projects.  That way, if there is a clearly preferred approach, we can aim to accommodate it.
[identity profile] ysabetwordsmith.livejournal.com

Following the recent launch of the Rose and Bay Awards, I've been browsing through a great deal of crowdfunded creativity ... and things that might be cyberfunded projects but I can't really tell, and things that would  be if they had a clear money path.  I realized that the most popular projects had certain things in common.  Doing these things doesn't guarantee success -- nothing does -- but will certainly move a project in that direction.

1) Name your project.  This makes it easy for people to discuss and recommend your project.  Now they can say, "I'm reading 'Awesome Content' by A.J. Muse" instead of "I'm reading this thing about ferrets with pictures and music."  Like the title of a story, your project name should be descriptive and memorable, something not already in heavy use.  Ideally, typing the project name into a search engine should put your project on the first page.

2) Design a landing page for your project.  On a private website, this can be a whole separate page or section; in a blog, it can be an individual post.  Title it something like "[Project Name] Landing Page."  Include a brief description of crowdfunding/cyberfunded creativity, a description of your project, a description of your particular business model, and tips on how people can help support what you're doing.  If your project is regularly updated, this is a good place for a link-list table of contents; otherwise feature or link to some other sample of the main content.  If you have separate pages such as an honor roll of donors or instructions for special activities, link those pages or posts here as well.  The landing page should be the one-stop-shop for linking to your project, so make sure all the information people need is on this page or accessible from it.  It's a good idea to link your landing page at the end of each individual project post.

3) Create tags for your project.  Tags are words or short phrases that identify what kind of content is there.  All blog posts concerning your project should be accessible through a project tag.  In a blog, tags appear above or below posts and in your tag list or tag cloud.  This way, when people stumble across a blog post they like, they can easily find more.  If you or your audience use Twitter, then you should also create a Twitter hashtag identifying your project.  This allows people to tweet and retweet your project, hopefully expanding your exposure and audience.  Some other social networks have other tagging systems, so keep an eye on this.

4) Establish definite audience interaction.  This distinguishes your crowdfunded project from anything that is simply an online store.  If someone looks at your site and wonders, "Is this cyberfunded creativity or just a store?" it should be easy for them to find your audience interaction for confirmation.  Popular types of audience interaction include polls, contests, asking for prompts, how-to or step-by-step posts in response to questions, inviting the audience to set themes or other goals, adding characters or scenes or other tidbits inspired by frequent commenters, and listing your patrons for community praise.

5) Post a donation button.  This makes your project instantly identifiable as cyberfunded creativity, even if you customarily use some other method of exchange such as subscriptions paid by check.  It's an easy option for folks who just want to say, "I like what you're doing; have some random cash."  PayPal is the most popular online money service for crowdfunding, but there are alternatives such as ChipIn, AlertPay, Moneybookers, Daopay, etc.  You may want a general button on your landing page or profile page, and a specific button for each project post.  If you're shy and/or new, put it on your profile page; if you're confident and/or experienced, put it on each post; if you're really organized, put it on your landing page.  Make sure you put a button in at least one of those three places.  They are the most likely places people will look when they want to give you money, and if there isn't an easy way to do it there, you'll miss opportunities.

Following these steps will give your project cohesion.  It's a good idea to do these things even if you don't plan on promoting a particular project as a big deal -- you never know what people will like.  Several of the more popular cyberfunded projects started out as whims, experiments, or practice.  Once you start repeating a particular thing, though, there's a chance that people will start watching for it and then it has a following.  Those folks should be able to tell you in a concrete fashion, "I enjoy this and want to see more of it."  Feedback is candy, but cash is concrete.  When people give you money, they are trading their time for yours, because money is crystallized time and energy.  Make sure your audience has convenient ways to indicate their interest and support.  Then you can deliver more of what they want the most -- and then you are truly on your way to crowdfunded success. 

Related posts:
"How to Start a Cyberfunded Creativity Project"
"How to Boost Your Audience"

[identity profile] ysabetwordsmith.livejournal.com
This got posted as a comment elsewhere, and I'm pulling it into a post of its own so that people can find it more easily.  This is about a new crowdfunding service that may appeal to creative people and donors here.

My company, Kachingle, just launched our generalized crowdfunding service which could be a good fit for your users. There's lots more information at our blog blog.kachingle.com and an overview at kachingle.com. For access to the beta version or to discuss send an email to beta@kachingle.com.

Thanks.

Cynthia Typaldos
Founder & Chief Kachingler
cynthia@kachingle.com
http://beta.kachingle.com/kachinglers/1

Profile

crowdfunding: Ship with butterflies for sails, captioned "Crowdfunding" (Default)
Crowdfunding: Connecting Creators and Patrons

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