That's my point. It's not about what we want. It's about what happens, most of the time.
My art advisor teaches a required course at the art college for all outbound students called "Real World", where he attempts to prepare them for the realities of working as an artist. One of his key points is that ours is a culture that does not appreciate art; it understands the value of it implicitly (no one wants to live in a world without music or books or movies or tv or graphic design or art), but it doesn't know how to express that valuation, nor does it really care to learn, all that much. So to survive as an artist, something else has to keep you going, because if you need external validation you're going to run into your first dry spell and decide, "Heck with this, I'm going to do something else."
"Artists," he likes to tell me, "are survivors. If they're still making art in this culture, it's because they're tough."
So while theoretically I agree with you, that it's nice to get something more directly connecting from your audience, in practice if you can't go without it, you will stop making art.
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Re: Hmm...
Date: 2009-11-18 12:03 pm (UTC)That's my point. It's not about what we want. It's about what happens, most of the time.
My art advisor teaches a required course at the art college for all outbound students called "Real World", where he attempts to prepare them for the realities of working as an artist. One of his key points is that ours is a culture that does not appreciate art; it understands the value of it implicitly (no one wants to live in a world without music or books or movies or tv or graphic design or art), but it doesn't know how to express that valuation, nor does it really care to learn, all that much. So to survive as an artist, something else has to keep you going, because if you need external validation you're going to run into your first dry spell and decide, "Heck with this, I'm going to do something else."
"Artists," he likes to tell me, "are survivors. If they're still making art in this culture, it's because they're tough."
So while theoretically I agree with you, that it's nice to get something more directly connecting from your audience, in practice if you can't go without it, you will stop making art.